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As Joseph Zbukvic explains, in order to set the mood in a composition, artists need to set their clocks--their watercolor clocks, that is. The watercolor clock is a simple, but ingenious teaching device Zbukvic created to show artists how to manipulate watercolor materials for dazzling, atmospheric effects.
The "clock" accompanies every visual example in this book, helping artists anticipate how the condition of the paper (wet, dry, moderate, etc.) will react to various watercolor mixes. Based on this teaching principle, Zbukvic guides artists through step-by-step demonstrations that clearly illustrate how to: identify a subject; plan a painting; control color and value; manipulate edges; add the right finishing touches.
With this book, artists can achieve a greater level of mastery with watercolor and deeper, richer paintings.
- Sales Rank: #502736 in Books
- Brand: Example Product Brand
- Published on: 2002-07
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .70" h x 8.68" w x 11.60" l,
- Binding: Hardcover
- 128 pages
- Example Bullet Point 1
- Example Bullet Point 2
About the Author
Joseph Zbukvic began painting professionally in 1979 and is regarded as one of Australia's best watercolor artists. His work is represented in many private and public collections and has been exhibited in leading galleries across Australia as well as in London, England. His work appears regularly in International Artist magazine. He lives in Melbourne, Australia.
Most helpful customer reviews
47 of 48 people found the following review helpful.
Stunning effects by manipulating the amount of moisture
By Joanna D.
The example paintings in Joseph Zbukvic's "Mastering Atmosphere and Mood" are stunning. By manipulating the amount of moisture ON the paper and IN the wash of paint, Zbuvic creates strong contrast between ethereal washes and densely painting architectural or landscape elements.
Zbuvic uses a device he calls a clock, which consists of a circle divided into wedges; the left side gauging the amount of water on the paper (from shiny wet to bone dry) and the right side gauging the amount of water mixed into the paint, from weak "tea" to "butter" or thick paint. This is rather original, but it does communicate an awareness of the moisture levels in both paint and paper to the artist. One example painting that really stands out is a rainy scene of downtown Melbourne, Australia. The street is lightly washed to allow the paper beneath to create the white shine of a wet street; the buildings and headlight reflections are painted more densely to provide either solidity (the building) or glow (the headlights.)
Most books on watercolor demonstrate a layered method of washes followed by glazes (paint over paint.) The end result can often be muddy for beginners in watercolor. This method is quite different in how it describes laying down washes and glazes, and can help the watercolorist achieve transparent atmosphere effects by paying attention to the water. If you've run into a brick wall with your current method of painting, this might be a great book to give a boost to your technique.
13 of 15 people found the following review helpful.
Beautiful book but not for beginners
By A Customer
One of the most amazing things about this book besides it gorgeous illustrations is that it is not another cotton candy, trick laden, watercolor book by a workshop star.
The artist and the paintings are deep, challenging and beautifull though I am not thrilled by some color choices I am by the integrity and depth this fellow brings to a medium that can all too often be made into wall paper designs.
His work is not easily apporached or copied and that is refreshing and daunting at the same time. He says it best when he warns that skill can only come from work and not from tricks. It was an eye opener reading about the effects of dampness and the state of the pigments themselves.
I will be humbly working in his shadow for a loooooong while and loving evry moment.
20 of 23 people found the following review helpful.
Can't recommend for the price
By Dave D
Joseph Zbukvic is a talented artist and the works in the book are terrific. But you won't learn much from this book. His watercolor clock idea is perhaps a nice teaching aid but the basic idea- about using paper mositure and brush loading to good effect- is nothing you won't learn from very fundamental watercolor technique and just experimenting on your own. Having looked at Zbukvic's website and a video, I will say that he has one great hint: connect your shapes, and this is done using lost and found edges (let edges of some shapes be indistinct so shapes are connected). He also emphasizes values, but this is basic technique and no revelation.
I don't see the book as nearly worth the money (at more than $50). Alvaro Castagnet paints almost exactly like Zbukvic; I can barely tell them apart. Although Castagnet's book is nearly non-informative, get it for the images (at much less cost). I would also recommend one of Zbukvic's DVDs ([...]) as less expensive and probably overall more informative. For context, look at the Amercian Watercolor Society website and see the artists' links and the great variety of terrific watercolors, many of them polar opposites of Zbukvic in technique. Charles Reid has good basic instruction.
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